7 Easy Ways To Practice Guitar Scales
Scales are the key to advanced-level guitar playing. Here are the steps to mastering your scales and turning them into shreddin’ lead guitar:
1) Learn and memorize each of the five pentatonic and seven diatonic scale patterns. Needless to say, this isn’t going to happen overnight. Play each pattern straight from the lowest note of the pattern to the highest note of the pattern and back again. Don’t do anything tricky with the pattern. Play each pattern starting as low on the neck as possible (open string or first fret), play the pattern across all six strings and back, then move up one fret and repeat the same pattern. Continue to move up one fret at a time until you’ve played the pattern at every fret you can comfortably play. Consider this one “round” of playing a pattern. It may take you 10 or 20 or more rounds to even begin to become fluent with the pattern. Personally, I put in hundreds, probably thousands, of rounds of each scale pattern over the course of a few years in my teens and early twenties. In all honesty, that’s what it takes.
2) Then start working on the patterns using exercises - the kind that have you play sequences of scale notes that are not just playing straight from the lowest note to the highest note. Exercises like this can be found on the net, and there are dozens of them in my course, Logical Lead Guitar, demonstrated on DVD and written out in tab and notation. These exercises help you to become fluent playing the scale patterns in a non-scale-like fashion. And this is the all important bridge to actually being able to play lead guitar.
3) Next, begin doing what I refer to as “puzzle locking exercises.” Scales fit together in one key up and down the neck like puzzle pieces, so you have to work on sliding from one scale pattern into the next pattern without going to the wrong fret. That’s why I suggest these “puzzle locking exercises.” There’s a ton of them in Logical Lead Guitar, on DVD and in tab and notation.
4) Learn a melody - something really easy and familiar, such as “Twinkle, Twinkle Little Star” - in each of the scale patterns. No matter which melody you choose, you’ll find that it’s probably easier to play that melody in some scale patterns than others. After you’ve attempted enough different melodies, you’ll usually find that there are certain melodies that work best in each of the five pentatonic or seven diatonic scale patterns, and not quite as well in the other patterns. And at first you might think that there are only a couple of patterns in which most melodies can be played very easily, and most of the other scale patterns are not so useful. But with time - and with the exploration of more melodies - you’ll find that every one of the patterns has its strong points.
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